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Royal Navy
Naval Art  Artists Robert Taylor  Royal Navy |
[UP] - Royal Navy - German Navy - American Navy - Maritime Art - Japanese Navy - Dutch Navy - French Navy |
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Cutty Sark by Robert Taylor. The Cutty Sark sailed the worlds great trading routes under the Red Ensign between 1870 and 1895, when she was sold to a Portuguese company. In 1922 she was bought by a Captain Dowman and rigged as a sail training ship. She is now preserved in dry-dock on the Thames River, Greenwich Maritime Museum, London. |
Secret Operation by Robert Taylor. Submariners are a special breed of sailor. Their environment, operating deep beneath the surface of the waves, is both unnatural and dangerous, and demands men of cool courage and exceptional quality. Prowling the depths like a mammoth shark, sometimes hunted, submarine crews live and fight, and sometimes die together, alone in the remote expanses of the worlds great oceans. Regardless of national flag under which they sail, this small elite Silent Service is both feared and admired by all who sail the seas. Plying their deadly trade in World War Two, the German U-boats posed such threat to the vital Atlantic convoys; Winston Churchill feared the submarine threat more than anything Hitler had at his disposal. Hunting in wolf packs, roaming the shipping lanes far beyond the reach of protective aircraft, they decimated the Allied merchant vessels during the Battle of the Atlantic. Manned entirely by volunteers, British and American submarines saw action in every maritime theatre during the great conflict of 1939 - 1945, the crews fighting their solitary, stealthy, secret war with courage and nerves of steel. This print captures the menacing beauty of a submarine on the surface: S-Class type HMS Sceptre slips her moorings in Scapa Flow, Scotland, and glides quietly into the North Sea to begin another top secret underwater operation. On the conning tower the skipper takes a final look across the water to the distant highlands while the crew savour the fresh salt air knowing soon they will submerge into their eerie, silent, artificial world, beneath the waves. |
Battle of the Nile by Robert Taylor. Robert Taylor's dramatic painting depicts the Battle of the Nile at about 1800 hours on August 1, 1798. Having caught Napoleon's French Fleet completely by surprise in Aboukir Bay, Vice-Admiral Nelson engaged at 1700 hours. Many of Napoleon's crew were ashore or visiting other ships, and the painting depicts the frantic efforts of crews to rejoin their own ships, immediately following Nelson's attack. |
D-Day Normandy Landings by Robert Taylor. On June 6, 1944, no fewer than 4000 ships landed 133,000 assault troops on the beaches of Normandy. A further 23,000 parachuted in, whilst Allied aircraft flew 14,000 sorties on that historic day. By the end of August 200,000 seamen had transported two million troops across to France. It was the greatest and most successful military invasion in history, which led to the downfall of Hitlers Germany, and the end of the war in Europe. Robert Taylors painting captures the very essence of that herculean battle. The painting is dominated by one of the many large transport ships, lowering her landing craft under bombardment from shore batteries. Barrage balloons flying, this massive fleet sailed into the teeth of the German defences, to land its invasion forces against all odds. |
Hornblower and the Indefatigable by Robert Taylor. Winter in the Bay of Biscay brings ferocious gales and bitter cold discomfort for ships crews aboard the British frigate Indefatigable. Horatio Hornblower, C.S. Forresters dashing eighteenth-century naval officer, experienced the worst of conditions at sea while serving the arduous task of blockading the ports off the west coast of France. The excitement of battle came as welcome relief. Roberts magnificent painting depicts an exchange of cannon fire between Indefatigable - on the left - and a 40-gun French frigate attempting to run the blockade on a chill winters morning. Moments later the two hulls crashed alongside each other, and the Frenchman was boarded and taken. |
Titanic by Robert Taylor. Passengers aboard the Isle of Wight ferry gaze in wonder as RMS Titanic steams majestically down the Solent at the outset of her maiden voyage, April 15, 1912. |
Barque Glenogil off Liverpool Pierhead, 1900 by Robert Taylor. The four-masted barque Glenogil passes Liverpool pierhead as she is towed up the Mersey. Paddle steamers in the foreground are seen embarking passengers for the river crossing in this busy harbour scene. |
Royal Yacht Britannia by Robert Taylor. The Royal Yacht Britannia is show in the Thames at her traditional mooring off Castle Point against the dramatic backdrop of Tower Bridge and the Tower of London. |
Night Attack on the Newcastle by Robert Taylor. Hit and run attacks by fast moving German E-Boats were a constant threat to vital Allied shipping in the Mediterranean during the second World War. Often made under cover of darkness, these fast, highly manoeuvrable craft would speed through a convoy, release their torpedoes, and disappear into the night. During the night of 15 June 1942 German E-Boats of the 3rd Flotilla left their Eastern Mediterranean base at Derna to intercept an Allied convoy bound for the island of Malta. Shortly after midnight, under the command of Leutnant Seigfried Wuppermann, the motor torpedo boat S-56 slipped past two Royal Navy escort destroyers to make a stern attack on the British cruiser HMS Newcastle. Alerted to the incoming attack, suddenly a searchlight at Newcastles foremast switched on, illuminating S-56 from stem to stern. Reacting quickly, Wuppermann fired two torpedoes in quick succession from 600 yards, and turned hard to starboard to make good his escape. A second searchlight aboard Newcastle pin-pointed S-56, but by then it was too late. Travelling at 33 knots, under fire from the escorts, S-56 threw out a smoke screen and released depth charges as a distraction, and disappeared into the darkness. Robert Taylors action packed painting shows S-56 some thirty seconds after release of her torpedoes, as the first explodes against the hull of HMS Newcastle. The second will strike a few seconds later. The cruiser, though badly damaged, limped back to Alexandria. |
South Atlantic Task Force by Robert Taylor. H.M.S. Hermes prepares to launch her Sea Harriers whilst a Sea King stands off: H.M.S. Arrow in the foreground ploughs into the swell, whilst H.M.S. Sheffield keeps station off the port beam. Following are H.M.S. Glamorgan and the auxiliary Fleet Tankers Olna and Resource. |
Contact Bearing 190 by Robert Taylor. H.M.S. Kelly steams at full speed to intercept a U-Boat which is bearing down on an essential and otherwise vulnerable Allied supply convoy. The tension among the supply ships crews, tempered by the strong faith in their protectors, is almost tangible. |
The Battle of Trafalgar by Robert Taylor. Robert Taylors magnificent painting shows Victory breaking through the enemy line at 1.00pm 21st October 1805. A broadside has crippled Admiral Villeneuves French flagship Bucentaure, seen off Victorys port side, while Nelsons gunners fire a second broadside into the Santisima Trinidad. Just astern, the Temeraire manoeuvres to trap the Redoubtable between herself and Victory, and thus seal her fate. |
HMS Belfast by Robert Taylor. At the outbreak of World War II, H.M.S. Belfast had already joined the Home Fleet operating out of Scapa Flow. Patrolling north of the Faeroes in October 1939 she came across and captured the German liner Cap Norte. This success was short-lived, however, when she struck a mine, the explosion breaking her back. HMS Belfast rejoined the Home Fleet in November 1942, under the command of Captain (later Admiral Sir Frederick) Parham, HMS Belfast was the largest and arguably the most powerful cruiser in the Royal Navy. After repairs and modernisation she was the best-equipped cruiser afloat. Later she went on to play an important role in the Normandy Landings of June 1944. |
HMS Kelly by Robert Taylor. HMS Kelly leaving the Grand Harbour, Malta in 1941 with HMS Warspite in the background. HMS Kellys captain was Lord Mountbatten. |
Loch Etive on the Firth by Robert Taylor. The windjammer Loch Etive departs Glasgow on October 15, 1892, bound for Sydney, Australia. After a round-trip lasting six and a half months, she will return to London with a cargo of wool. Looking across the Firth towards Glasgow the waters are busy with coastal craft. |
Ark Royal by Robert Taylor Robert Taylors tribute to HMS Ark Royal, Britains last conventional aircraft carrier, seen steaming with her Phantoms on deck. Launched in 1950, HMS Ark Royal entered service in 1955 and her flag flying tours over the next two decades took her to the far corners of the world. |
HMS Hood by Robert Taylor. HMS Hood ablaze after its magazine was hit by a salvo from the DKM Bismark, May 24, 1941 One of the rarest of the early Robert Taylor prints, published in 1980, we have one secondary market print available. The eidition was not numbered. The print is in fair condition, with only a slight crease, and a mark on the border. The colours on the print and the signature have not faded much at all, as the print was kept framed and in a corridor out of sunlight. Fading is normally an issue with these older prints, so it is rare to find one with very good colour. |
HMS Kelly by Robert Taylor. SOLD OUT. |
Steaming Into Wind by Robert Taylor. SOLD OUT. |
HMS Cavalier by Robert Taylor. SOLD OUT. |
HMS Illustrious by Robert Taylor. Royal Navy carrier Illustrious in Grand Harbour, Malta. One available only - this was a companion print to a larger print. |
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